2022
Chamber of Wonder – Fiona Ackerman visits Friedrich Meckseper
Summer Songs II
Howard Sherman – Self-portrait as Kong
Juan Logan – Elegies for Lost Souls
Karl Kunz and Ernst Weil – Two important postwar Painters in a Dialogue
2021
Hokuspokus – The Artist as Shaman
Erik Nieminen – Metamorphosis I – Possible Worlds
Fiona Ackerman – Metamorphosis II – The Cosmic Tiger
2020
Adébayo Bolaji – Between Two Worlds
Uwe Bremer – Viruses and their Manners or Coronary Comments
Gregor Hiltner Larktree Soundsculpture
Paul Schwietzke – A Fresh Breeze at the BER and other surreal ecstasies
Natascha Mann – In a Color Frenzy – Narrative Painting Behind Glass
2019
100 Years Ernst Weil – Virtuous Painting against the Zeitgeist
Taher Jaoui – Opening Dimension
The New Abstract – An Atlantic Bridge – USA – BERLIN
Christian Achenbach, Jenni Brosinski, Jonni Cheatwood, Gregor Hiltner, Taher Jaoui, Alan Neider, Robert Szot, Taylor A. White
Rübezahl – Störtebeker – Tannhäuser – The Giant (Woodcuts) of the four Rixdorfer Bremer, Schindehütte, Vennekamp, Waldschmidt
2018
On paper III
Taylor A. White – Memories of a Carpet Monster
VOODOO
Atopia
Vitaly Medvedovsky – Homeland and Heroes
landscapes
on paper II
2017
Fiona Ackerman – Glasslands
Ernst Weil – In the Boxing Ring
real – surreal – hyperreal
Informel Encounters
2016
Uwe Bremer – Quantum – Poetic Excursions
Portraits
Fiona Ackerman – Mirror in the Mirror
2015
Masterworks of Printmaking
Abstract 3 – Generations
