2022

Chamber of Wonder – Fiona Ackerman visits Friedrich Meckseper

Summer Songs II

Howard Sherman – Self-portrait as Kong

Juan Logan – Elegies for Lost Souls

Karl Kunz and Ernst Weil – Two important postwar Painters in a Dialogue

2021
Hokuspokus – The Artist as Shaman

Erik Nieminen – Metamorphosis I – Possible Worlds

Fiona Ackerman – Metamorphosis II – The Cosmic Tiger

2020
Adébayo Bolaji – Between Two Worlds

Uwe Bremer – Viruses and their Manners or Coronary Comments

Gregor Hiltner Larktree Soundsculpture

Paul Schwietzke – A Fresh Breeze at the BER and other surreal ecstasies

Natascha Mann – In a Color Frenzy – Narrative Painting Behind Glass

2019
100 Years Ernst Weil – Virtuous Painting against the Zeitgeist

Taher Jaoui – Opening Dimension

The New Abstract – An Atlantic Bridge – USA – BERLIN
Christian Achenbach, Jenni Brosinski, Jonni Cheatwood, Gregor Hiltner, Taher Jaoui, Alan Neider, Robert Szot, Taylor A. White

Rübezahl – Störtebeker – Tannhäuser – The Giant (Woodcuts) of the four Rixdorfer Bremer, Schindehütte, Vennekamp, Waldschmidt

2018
On paper III

Taylor A. White – Memories of a Carpet Monster

VOODOO

Atopia

Vitaly Medvedovsky – Homeland and Heroes

landscapes

on paper II

2017
Fiona Ackerman – Glasslands

Ernst Weil – In the Boxing Ring

real – surreal – hyperreal

Informel Encounters

2016

Uwe Bremer – Quantum – Poetic Excursions

Portraits

Fiona Ackerman – Mirror in the Mirror

2015
Masterworks of Printmaking

Abstract 3 – Generations
